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Museum of Islamic Art, a new cultural icon for the Gulf region, will open its doors to the public on December 1, 2008. Dedicated to reflecting the full vitality, complexity and diversity of the arts of the Islamic world, the Museum of Islamic Art will collect, preserve, study and exhibit masterpieces spanning three continents from the 7th to the 19th century.
Under the leadership of Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al-Thani, Chairperson of the Qatar Museums Authority’s Board of Trustees, the Museum of Islamic Art will be a new international centre for learning and creativity that advances the cultural vision of the State of Qatar.
Designed by Pritzker Prize-winning architect I.M. Pei, the 376,740-square-foot Museum of Islamic Art rises from the sea, in Doha Bay in the Arabian Gulf and houses a collection of international masterpieces in galleries encircling a soaring, five-storey-high domed atrium.
The inaugural installation of the permanent collection will showcase highlights ranging geographically over 7,000 miles from Spain to India and spanning more than 1,300 years. A special exhibition in partnership with leading cultural institutions will explore cross-cultural exchange across the Muslim world.
“The opening of the Museum of Islamic Art is a source of immense pride for the State of Qatar. In future years, the new museum will evolve into a place of learning and a platform for dialogue. It will bring together people of all ages, people living in the local community and visitors from around the world for enjoyment, stimulation and greater understanding of our cultures through the appreciation of art,” commented Museum of Islamic Art Chairperson, Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al-Thani.
“With the opening of the Museum of Islamic Art, the state of Qatar has become an important contributor to the international art world,” said Abdulla Al Najjar, CEO of the Qatar Museums Authority. “We are proud to open the doors of this magnificent I.M Pei masterpiece, and to share with the world the exceptional depth and vitality of Islamic art.”
“We are thrilled to be able to display more than 800 pieces in the inaugural installation of our permanent collection, including many masterpieces of Islamic art that have rarely or never been exhibited before,” said Oliver Watson, director of the Museum of Islamic Art. “We also look forward to beginning a cultural dialogue with our partner institutions from around the world, exploring the influence of Islamic art in our first temporary exhibition, Beyond Boundaries: Islamic Art Across Cultures.”
The Building The Museum of Islamic Art is the result of a journey of discovery conducted by I.M. Pei, whose quest to understand the diversity of Islamic architecture led him on a world tour. During visits to the Grand Mosque in Córdoba, Spain; Fatehpur Sikri, a Mughal capital in India; the Umayyad Great Mosque in Damascus, Syria; and the ribat fortresses at Monastir and Sousse in Tunisia, he found that influences of climate and culture led to many interpretations of Islamic architecture, but none evoked the true essence he sought. Mr. Pei’s final design inspiration was the 13th-century sabil (ablutions fountain) of the Mosque of Ahmad Ibn Tulun in Cairo, Egypt (9th century). In the “austerity and simplicity” of the sabil, Mr. Pei stated, he found “a severe architecture that comes to life in the sun, with its shadows and shades of colour.” The sabil offered “an almost Cubist expression of geometric progression,” which evoked an abstract vision of the key design elements of Islamic architecture.
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